Humza Yousaf didn’t turn up to the count tonight. In the end, even on a dreadfully low turnout of 37%, Labour won by 9,446 votes, with more than twice as many as the SNP.
It was a much worse defeat for the governing party than most expected. There should be only one outcome.
After months of phony war, we’re actually about to find out something concrete about the current state of Scottish politics.
The omens aren’t massively auspicious.
I’ve known my mate Chris since I was five years old and we lived next door to each other in a council scheme in Bathgate. He’s a grand lad, the sort of Rangers fan that you can introduce in polite company, a hardworking, small-c-conservative successful business owner who’d go out of his way to help you and has a few SNP councillors in his social circle.
He isn’t the least bit political. In 2014 he was a soft No whose vote was narrowly tipped by the fact that his company did almost all of its business with English clients and he feared losing them to red tape (and, ironically, English nationalist sentiment) after indy, but after the Brexit referendum he was leaning very much more Yes.
The SNP’s staggeringly incompetent rule since then blew that chance and has pushed him further back into the No camp than he ever had been before, but last night he texted me “can’t believe this actually went to print and came through our door today”.
I can’t say I blame him.
I’ve always been obsessed, in cultural terms, with pivot points: the precise moments at which something significant changes irreversibly.
They can be a goal that ushers in a football team’s golden era – for me, Alex McLeish putting Aberdeen level in the 1982 Scottish Cup final. They can be a twist in a movie, like (first example that comes to mind) the shocking revelation of the bad guy in LA Confidential. They can spring out of nowhere, like the latter, or be something that was visibly on the way but finally crystallises, like the former.
There are some great examples to be found in the world of pop videos, like the one 3m 40s into Pulp’s epic mainstream-career-ender “This Is Hardcore”. But for my money there isn’t one more spine-tingling than this:
(Warning: some adult content.)
Robbie Williams here is played by Humza Yousaf.
These are strange and grim times for the Scottish independence movement, but we never thought it’d ever get so strange that we’d be quoting Effie Deans.
Since pretty much day one, Wings has said that the only honest and honourable way to campaign against independence would be for Unionists to say Scotland isn’t a country, but a mere region of the UK. But they lack the courage to admit what their true beliefs are, and so they fall back on fear and lies disguised as concern, all cloaked in “proud Scot” protestations.
While that might be a miserable way to conduct yourself, it’s understandable, because the moment that you acknowledge Scotland as being a country, all the debating lines against independence crumble to ashes. They’re powerless in the face of the principle that countries should choose their own governments, for good or ill, because that’s what democracy is, and few people are willing to stand openly against democracy.
And what Effie Deans’ concession of this site’s cornerstone argument reveals is that Unionists finally feel safe against any threat of independence in the foreseeable future, and with good reason.
So, we guess this is the “mainstream independence movement” now.
It’s smaller than we imagined.
This is a Sunday Mail cover story today:
And it’s almost easy to dismiss it as meaningless. You can report to the police that aliens dug up your prize petunias and they’ll record it and give it a reference number and promise to investigate, before concluding that it was actually the neighbour’s cat.
But there’s one word in the 500-word piece that makes it much more interesting.
Can you spot it, readers?
Humza Yousaf today:
So… his job is to get a legally binding referendum (something which doesn’t actually exist), but he knows that if we’re likely to win it we’re less likely to get it, so… we need to look like we’re going to lose one if it happens?
So presumably with support for the SNP already plummeting through the floor, the next phase of his grand strategy will be to drive support for independence down too? We suppose that’s a more rational explanation of the party’s actions in recent years than anything else we can think of, right enough.
Or of course, it might be that the guy’s just a complete gibbering idiot. You tell us.
Yesterday we took an extensive tour of all the red flags in the SNP’s 2022 accounts, which show a party in very deep financial trouble. But there was one part we left out because it deserves a post of its own.
The picture above – which was posted by then-CEO Peter Murrell during last year’s SNP conference – is a revealing one in all kinds of ways.
It starkly exposes how a party chose to hold an event for around 800 members in a venue with a capacity of 15,000 and then went to a lot of effort to disguise how empty the space was, rather than, for example, just hiring somewhere of an appropriate size (and cost) in the first place.
(Look how far into the hall the stage has been placed, leaving half the arena vacant, to then be hidden behind a giant screen and curtains and banners in order to give a false impression of how full it is.)
But what’s more symbolic is that there are almost no people in it.
We know the meanings of words are very flexible these days, especially in the SNP.
But this isn’t our understanding of the term “turning around”:
Wings Over Scotland is a thing that exists.
