Wings Over Scotland

We’re being somewhat generous with the numbering here, to be honest, but you’ve got to start the official count somewhere, right?

Alert readers will recall that current Scottish Labour policy is to enshrine in law the right to a free bus pass for all Scots over the age of 60:

This time last year, for example, their transport spokesman Colin Smyth specifically and indignantly condemned any possible suggestion by the dastardly SNP of perhaps increasing the qualifying age from 60 to state pension age (currently 65 and due to rise to 68 and beyond), saying:

“Sadly, the scheme is now under threat with SNP ministers refusing the rule out increasing the age citizens can qualify for a pass in a bid to try and save money. Ordinary people in their 60s should not be paying the price of Tory austerity because the SNP refuse to use the powers of the parliament to fund our services properly.”

A commendably unambiguous and righteous position. Indeed, the North British branch of Jeremy Corbyn’s socialist party announced at this year’s conference that if elected they’d not only keep the threshold at 60, but would extend free bus travel immediately to everyone in Scotland under 25, and then swiftly to everyone of any age.

So we can safely assume that in Wales, where Labour have been in power for all 20 years of the devolved Assembly, all those things will already be happening, because otherwise it’d just be embarrassing.

At the very least, we can be certain that there’s no chance of the qualifying age going up from 60 to state pension age, because we already know that Labour regard that as a scandalous and unthinkable moral outrage.

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We’re pretty sure we can’t be alone in being a little perturbed by this paragraph from a story in today’s Times.

It’s public knowledge that Davidson worked for BBC Scotland before becoming a Tory MSP, but we don’t think it’s ever been revealed that she was also working as a lackey, chaffeur and seamstress for a politician.

(Presumably in her spare time, but honestly who knows?)

BBC staff – especially those working in news departments – are supposed to be impeccably politically impartial, including outside of work hours, for extremely obvious reasons. We can’t help but wonder whether there are any current BBC Scotland news broadcasters running around the country fiddling with the flies of Conservative MPs while they’re on party-political business.

Is Glenn Campbell making tea for Ross Thomson? Does Isabel Fraser polish Alister Jack’s shoes on speaking engagements? Does Andrew Kerr have to keep Bill Grant’s sash and apron nicely ironed? Is it Gordon Brewer’s job to brush Kirstene Hair’s hair or remind her to breathe in and out?

Unfortunately, as it’s the BBC there’s very little point in asking, so we’ll never know.

After it became the most-watched episode in the show’s history, the producers of The Alex Salmond Show made a double-length “Director’s Cut” of our recent interview, which you can watch below if you should feel so inclined.

Yesterday we reminded you of how Wings predicted Boris Johnson becoming Prime Minister of the UK several years ago. But of course, other soothsayers are available, like this confident chap from August 2014:

In news that will come as a shock to absolutely no readers at all, McDougall wasn’t just lying, and wasn’t just wrong about one thing, but was both wrong and lying about pretty much everything he said.

Both of the Yes camp’s “scare stories” which were sneeringly mocked by McDougall during a BBC debate in Inverness actually came true – the Tories DID win the next election, and Johnson DID end up as leader of the party and then as Prime Minister.

(McDougall burst into tears at Scottish Labour HQ on the night of the 2015 election as his party lost 40 of its 41 seats despite his services as Jim Murphy’s speechwriter and adviser, his powers of chortling seemingly having deserted him.)

And it’s interesting to revisit the debate.

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Let the bells ring out and rejoice.

Still, at least the Record hasn’t been so completely lacking in self-awareness as to point a finger at others in Scotland and say something like “far too many people who should know better are complicit in the tragedy”.

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29 June 2016. Don’t say we don’t warn you, readers.

And this was February of the same year, when Barack Obama and David Cameron were still in charge of their respective nations:

You’ll always read it here first, folks. Even when you don’t want to.

We weren’t sure whether tomorrow’s Cairnstoon was going to be delayed by technical gremlins (it turns out it isn’t), so we prepared an emergency backup plan on the same theme and you may as well see it now as a sort of trailer.

It’ll be good every time they dig him up yet again in the future too.

(With profound apologies to Oliver Frey.)

From today’s lurid Scottish Daily Mail cover splash about a “£1 BILLION TAX BLACK HOLE” appearing in the Scottish budget “despite [imaginary] Nationalist tax hikes”:

But hang on a minute.

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Last night, grudgingly, we watched the whole of the final Tory leadership debate, for a contest in which pretty much everyone believes Boris Johnson has already gathered enough votes to comfortably win even though there are several days of voting to go.

The headline outcome the media appears to be focusing on is that both candidates proclaimed the Irish backstop “dead”, to which the EU’s response will without a doubt be “Is it, aye?”

So where does that leave us? Let’s have an update.

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Galaxy Wars, released by Universal in 1979, is one of the first wave of "proper" arcade videogames (defined here as coded on ROM chips rather than being semi-mechanical or solid-state like Pong). 

Running on a hacked Space Invaders board (as most of the first wave did), it actually bears a lot of similarities to Taito's 1978 blockbuster. It's got UFOs running across the top of the screen, above a field of asteroids which move one way across the screen, then drop down a level when they reach the edge and start moving back across in the opposite direction.

The screen was a monochrome reflector – sometimes supplemented by sheets of coloured cellophane to mimic a colour display – and all the sound effects are ripped straight from Invaders.

It was a pretty dull game, and other than an inexplicable Japan-only SNES port in 1995 (which seems to have been the only ever licenced home version on any format) it made very little impact on posterity.

Until this week, when it suddenly threatened to become mildly interesting.

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