Wings Over Scotland

I’ve known my mate Chris since I was five years old and we lived next door to each other in a council scheme in Bathgate. He’s a grand lad, the sort of Rangers fan that you can introduce in polite company, a hardworking, small-c-conservative successful business owner who’d go out of his way to help you and has a few SNP councillors in his social circle.

He isn’t the least bit political. In 2014 he was a soft No whose vote was narrowly tipped by the fact that his company did almost all of its business with English clients and he feared losing them to red tape (and, ironically, English nationalist sentiment) after indy, but after the Brexit referendum he was leaning very much more Yes.

The SNP’s staggeringly incompetent rule since then blew that chance and has pushed him further back into the No camp than he ever had been before, but last night he texted me “can’t believe this actually went to print and came through our door today”.

I can’t say I blame him.

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There’s an interesting new blog today called “Will support for Scottish independence go away?”, based on some analysis of long-term polling and demographic trends. If you don’t have time to read all of it, its conclusion is, well, non-conclusive. But the problem with it is that it’s asking the wrong question.

Wings has very little doubt that polling support for Scottish independence will continue to fluctuate within a few points either way of 50% for the forseeable future, as it has done for the last decade. But the real question is whether that will matter.

Because there are other issues with very similar numbers.

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I’ve always been obsessed, in cultural terms, with pivot points: the precise moments at which something significant changes irreversibly.

They can be a goal that ushers in a football team’s golden era – for me, Alex McLeish putting Aberdeen level in the 1982 Scottish Cup final. They can be a twist in a movie, like (first example that comes to mind) the shocking revelation of the bad guy in LA Confidential. They can spring out of nowhere, like the latter, or be something that was visibly on the way but finally crystallises, like the former.

There are some great examples to be found in the world of pop videos, like the one 3m 40s into Pulp’s epic mainstream-career-ender “This Is Hardcore”. But for my money there isn’t one more spine-tingling than this:

(Warning: some adult content.)

Robbie Williams here is played by Humza Yousaf.

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Well, there it is.

It’s not like it hasn’t been coming.

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These are strange and grim times for the Scottish independence movement, but we never thought it’d ever get so strange that we’d be quoting Effie Deans.

Since pretty much day one, Wings has said that the only honest and honourable way to campaign against independence would be for Unionists to say Scotland isn’t a country, but a mere region of the UK. But they lack the courage to admit what their true beliefs are, and so they fall back on fear and lies disguised as concern, all cloaked in “proud Scot” protestations.

While that might be a miserable way to conduct yourself, it’s understandable, because the moment that you acknowledge Scotland as being a country, all the debating lines against independence crumble to ashes. They’re powerless in the face of the principle that countries should choose their own governments, for good or ill, because that’s what democracy is, and few people are willing to stand openly against democracy.

And what Effie Deans’ concession of this site’s cornerstone argument reveals is that Unionists finally feel safe against any threat of independence in the foreseeable future, and with good reason.

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So, we guess this is the “mainstream independence movement” now.

It’s smaller than we imagined.

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In the end, it only took 12 hours.

Bless his painfully-predictable cotton socks.

But hey, bold use of “leading”.

Some people (at the time of writing we have no idea how many) are marching in Edinburgh today, notionally in favour of Scottish independence although the event’s barely-concealed true purpose is to firmly establish Believe In Scotland as the official, SNP-approved “grassroots Yes movement”.

(It’s so grassroots that for just £1,800 you and some pals can hobnob with Humza Yousaf and, um, Janey Godley at their annual dinner at the Hilton later this month.)

For around 40 years of my life, I had an easy one-word answer to being asked if I was in favour of independence for Scotland, and that answer was “Yes”. If you’d pushed me to expand, I’d have said “Yes, obviously“.

Even though my dad was employed by the SNP leader of the time – in his non-SNP capacity as a business owner – politics wasn’t discussed in our house. (These were the 1970s, so there wasn’t a vast amount of discussion full stop.) But I was raised, basically by default, with the view that Scotland was a country.

Of course it was a country. It had its own dialect and an identifiable culture, both things personified to my young self by Oor Wullie and The Broons, and our weekly visits to my granny’s wooden bungalow in a wee ancient village near Cumbernauld that may as well have been Auchenshoogle (weirdly, sometimes “Auchentogle”).

It had national football and rugby teams. It had a flag. Why would it be any less of a country than Germany or Italy or Holland or Brazil or Argentina? (My knowledge of geography was primarily World Cup-based.)

So as soon as I had even the vaguest notion of the concept of politics – probably around the age of 7 or 8 – it seemed straightforwardly axiomatic to me that it should be independent. There was never even a thought process, it was just mad and unnatural to think otherwise, like believing the sea was orange. Countries run their own affairs, right? And that was it for the next 40-odd years.

(Post-2007, when I started to seriously examine the idea, the feeling only solidified.)

But since 2018 or so, for the first time in my life, my answer is different. If you ask me now whether I believe in Scottish independence, I’ll say “Yes, in principle“.

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There’s a “new independence plan”, we hear.

Warning: readers of this site may not find it all that new.

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