Wings Over Scotland

Those wishing to read some more detailed background on today’s Scotland on Sunday stushie can find at this link a paper (full title: “Fortify the Cheviots! The Nazis and the Nats”) presented by Gavin Bowd – author of the SoS article in question – to the University of Edinburgh in June 2012. Here’s the opening paragraph for colour:

“In January 1939, Douglas Young, future leader of the SNP, wrote to his fellow poet, George Campbell Hay: ‘If Hitler could neatly remove our imperial breeks somehow and thus dissipate the mirage of Imperial partnership with England etc he would do a great service to Scottish Nationalism’.

Young thus showed the ambiguous, to say the least, attitude of Scottish nationalists towards Fascism. Hatred of the English led to the downplaying of the Fascist threat to freedom and peace, while more radical nationalists could be attracted to the authoritarian and xenophobic solutions offered by the Fuhrer and the Duce.”

Make your own judgements from the evidence.

On the 12th May 1916, a man born 48 years previously in Edinburgh’s Cowgate was strapped to a chair in Kilmainham Jail, Dublin and – after receiving the last rites – was shot by a firing squad. He was too weak to stand.

In 2002 a BBC poll for its presentation of the “100 Greatest Britons” had him in 64th place. Yet he is hardly known in Scotland. Virtually the only time his name impinges on public consciousness is when those who wish to honour his name by public march in Edinburgh have to be given police protection from violent Unionist bigots.

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When we started this site we never imagined we’d find ourselves citing Aleister Crowley for anything, but it looks as though that strange and disturbing day has come.

We’ve had a theory for a while now that the expenses scandal of 2009 was a watershed moment in British politics, in the worst possible way. Practically the whole of the Westminster parliament was found to have perpetrated frauds against the taxpayer on a scale that would have seen benefit claimants given substantial prison terms, yet almost none were ever put in front of a court.

And despite the huge public outcry at duck houses and moat-cleaning and house-flipping and all the rest of it, when a General Election was called in 2010, the electorate trooped meekly into polling stations and re-elected almost every politician that had been caught with their greedy hands in the voters’ pockets.

Is it any wonder that those same politicians now think – probably correctly – that they can literally get away with just about anything? If we were them, we might be the same. After all, if sheep keep walking up to you when you’ve got shears in your hand, even if you keep gouging their eyes out with them, what else are you going to do?

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Iain Banks blew my mind. I read The Wasp Factory as a teenager when it came out in 1984, and I’d simply never encountered anything like it. I devoured it in an afternoon.

Until then my library had consisted pretty much solely of the Hitch-Hiker’s Guide To The Galaxy books – brilliant and funny and quietly profound, but essentially lightweight stuff. The most “adult” literature I’d tackled was Zen And The Art Of Motorcycle Maintenance, an agonisingly painful experience that took nearly six months of teeth-gritted determination to plough through, one hideous chapter at a time, waiting for a promised epiphany of knowledge and understanding that never arrived. It single-handedly gave me a dislike of hippies that endures to this day.

The Wasp Factory was a revelation. Dark, disturbing, but funny and ultimately uplifting, it was at once both palpably Scottish and nationless. I hovered outside bookshops waiting for Banks’ subsequent releases – Walking On Glass, The Bridge, Espedair Street. Every one was utterly different from the last, united only by the warm, optimistic spirit of humanity underpinning them. I’m a natural misanthrope, but every time I read one of Iain Banks’ novels I’m turned away from despair towards hope again.

I made sure I took them with me when I left home, and they sit in my bookshelf still, growing more well-thumbed with the years. And when Banks moved into science-fiction, I came along for the ride. His undramatic, matter-of-fact depiction of an enlightened “post-scarcity” galactic Utopia – the Culture – was beautiful and politically thrilling, and as a young videogame obsessive the author’s clear connection with and understanding of the alternative worlds offered by games reached out to me in an incredibly direct and personal way that Douglas Adams’ work hadn’t.

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Had yesterday’s podcast been going out today instead, I’d probably have chosen this as the play-out music. But it’ll do just fine right now too.

The usage of Nazi terminology to refer to any actions of a democratically-elected UK government is nearly always an absurd and unhelpful exaggeration. Today, however, one such analogy is absolutely literally justified.

The words “Arbeit Macht Frei” were emblazoned, usually in iron, over the gates of numerous concentration and extermination camps in 1930s and 1940s Germany, most infamously Dachau and Auschwitz. The phrase is usually rendered in English as “work makes you free”, though a more precise translation of the first word is “labour”.

That the same exhortation is used in Britain in 2013 by The Salvation Army tells you all you need to know about the ideological climate of the modern United Kingdom.

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Alert contributor Scott Minto came across a weird little story in The Sun this week. We had a look into it and found the “Loyalist” nutcases responsible, whose Facebook page helpfully also provided us with a much more beautiful and uplifting sight.

Flying proudly over Glasgow City Chambers, just as it should. Not long now.

For a long time if felt like a dirty secret. It’s how we’ve been conditioned. It was simply something that you just didn’t speak about, because most people around you would look down on you if they knew.

Those feelings are something that many who believe in an independent Scotland have encountered at some point in our lives. Up until recently I very much felt that way, and to this day I’m still wary of mentioning my Scottish independence yearning in some circles. But times are changing.

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Showbiz news from yesterday’s Daily Record:

“In a shameful confession that will shock their fans, cheeky TV duo Ant and Dec have admitted that one of them… voted Tory. The Geordie lads, back on ITV tonight on Saturday Night Takeaway, revealed all in a no-holds-barred interview in which they also said they’d taken drugs.

Asked about their political allegiances, the pair said they have both always voted Labour until the last election, when Ant voted Conservative for the first time. He told the Guardian’s Weekend magazine the decision would make his family in the North East of England “very angry”.

Ant said: “They certainly couldn’t give an argument for Labour for me at the moment – not a valid one. Then again, I’d struggle to give an argument for voting Conservative at the moment.””

It’s an understandable view.

We’re still mulling over the exclusive design/logo for “Heroes” in the fundraising campaign, but we were so pleased with this when we came up with it this morning that we thought it was too good to limit to people with lots of money.

It’s also the first Megastore sub-section with the new version of our masthead logo, designed to show progress from 2012 to 2013. (Last year we’d just found our old wings in the attic, now we’ve well and truly got them on. Not sure what we’re going to do for 2014 yet, maybe patch up all the holes.)

We might do a special version or exclusive colour run for Heroes or something, or come up with something different entirely. For now, click the image to see the product range, or just simply look at it and bask in our genius 😉

Unionists never miss a chance to sneer at “Braveheart”, a film which won five Oscars and tells a true story (very heavily embellished by Hollywood) about a people’s fight for self-determination. Only last night, Scotland Tonight retweeted one eager young No voter using it as an explanation for the increase in support for independence among the 18-24 demographic, even though the film came out almost 20 years ago.

This sort of thing, though, is fine:

That’s because nationalism is great, so long as it’s British.

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