The content industry has a long and shameful history of spurious figures when it comes to the subject of intellectual-property piracy. This much we already knew. But the most recent set of “statistics” on the economic cost of piracy – which have, of course, been seized on and repeated unquestioningly by the press – may have set some sort of record.
There’s been something of a Biblical flood of the-end-of-civilisation movies in recent years. From 2007’s 28 Weeks Later (zombie plague) and I Am Legend (cancer cure gone wrong) to Charlie Brooker’s harrowing alleged comedy Dead Set (another zombie plague), the BBC’s remake of Survivors (lethal virus pandemic) and the same broadcaster’s re-remake of The Day Of The Triffids (er, homicidal walking plants), 2009 mega-budget effects-fest 2012 (the classic “solar flares cause planet to boil from the inside”), and right up to this year’s The Road (unnamed catastrophic event), the cultural world is suddenly alive with the mass culling of humanity. Hurrah!
The one avenue for the obliteration of mankind that hasn’t been explored for a while is the classic nuclear holocaust, even though – or possibly because – an increasingly aggressive and powerful Russia has been rattling its sabre on the world stage for the first time in two decades. However, with the imminent The Book Of Eli making reference to a war that leaves the planet a ravaged wasteland, it looks like the atomic menace is back, Back, BACK! Which got WoSland thinking – what's the bleakest nuclear holocaust movie ever?
As the writer of the Definitive series of games histories for Retro Gamer, the bane of my life is websites repeating stuff they found somewhere else and didn’t bother to check. Because if the original “fact” isn’t actually true, the weight of repetition quickly causes it to become accepted as the truth anyway, and you end up with a load of cobblers becoming the official historical record, at least until I have to come along and fix it, usually by playing the game(s) all the way to the bloody end myself.
(I suppose I shouldn’t complain, as if it didn’t happen so much Retro Gamer’s first feature on R-Type wouldn’t have been SO full of glaring errors that I couldn’t stop myself writing them an angry letter about it, and thereby managing to secure the Definitive gig in the first place, which has been quite a nice little earner.)
And printing rubbish about games can still be dangerous even if you think you’re really obviously joking, as this picture I recently found lurking on my hard drive proves:
I'm rapidly coming to the conclusion that a person's view on Love And Monsters is the single most telling indicator of their personality – specifically, the personality aspect of whether they're a soulless cretin or not.
L&M is by most measures the oddest episode of Doctor Who since the show's reinvention in 2005. Written by series producer Russell T Davies, it's an episode in which he appears to deliberately burden himself with as many handicaps as possible.
If people really can’t behave in other comment threads and insist on derailing them with irrelevant and disruptive posts, as a last resort the comments in question will be moved here. People are also free to use it for general off-topic chat.
Wings Over Scotland is a thing that exists.
