Wings Over Scotland

It’s taken me four weeks to write this, because I barely knew where to start.

Channel 4 showed the singular and vastly wonderful The Banshees Of Inisherin at the weekend, and as brilliant as it is in its own right, it also came loaded with all sorts of resonances and finally prodded me into action.

The equally singular and wonderful Jonathan Nash, who will be known to readers of this isolated and quiet island parish under a variety of names, died last month, of death. It was sudden yet expected, and in those respects very much the opposite of the man himself.

I probably knew him about as well as any human alive, as far as I know. Not only did we work together professionally on Amiga Power, Your Sinclair and others, and on innumerable projects both realised and abandoned, from Digiworld to Bingo And Bongo’s Church Of Emulation to Podgamer and many more, sometimes with others (including the purely-conceptual lifestyle magazine Couch Potato) and sometimes just the two of us, but also regularly went out dancing to bad 80s music at The Big Cheese at the also-legendary and now-also-deceased Moles in Bath.

Afterwards at 2am or so we’d walk back to my flat nearby – I never once knew where he lived, so had no idea if it was on his way or not – and sit in the elegant communal downstairs lobby chatting about this and yon. (If you invited him in properly, you could be there for the next seven or eight hours. Jonathan never really grasped the concept of time or the conventional waking hours of other people.)

But as you may have read from others like Kieron Gillen and John Walker, JN wasn’t a massively social person. His physical form mostly hung out with the YS crew – me, Linda Barker, her partner Neil and art ed Andy Ounsted, delicately sipping orange juice in Hatchett’s, the scabby biker pub that was the Future Publishing watering hole of choice in the early 90s.

Jonathan didn’t bother with alcohol because was convinced he was immune to its effects, you see, and when Linda and I quizzed him on this one night, he confidently bade us put it to the test. So she, Neil and I duly convened at their bohemian city-centre flat one evening later that week (after some warm-up drinks in a nearby pub) and, with JN’s vigorous consent, attempted to get him pissed.

Reader, we succeeded. We succeeded hard. It took no small amount of doing, and a lethally comprehensive arsenal of intoxicants never before or since imbibed by a single individual, but we got the job done, only realising when a still impeccably-lucid Jonathan announced from a cross-legged position in the middle of the floor that he no longer appeared to be in command of his limbs and could someone please fetch him a plastic carrier bag to vomit into.

In subsequent days, as was his wont, he regaled us with a series of lengthy and extremely detailed emails listing his findings from the experiment. The one that sticks in my mind is his account of how, after finally slumping to the ground, he wished to turn his head to look round at something but had no idea how to.

I never saw him drunk again, but from that day he would happily knock back a string of vodka Red Bulls for energy at the Cheese, or beers and spirits in the pub when he was in the mood. He was a man of Science, and having now conquered alcohol it held no fear for him.

I once described him (in AP2, the exciting Amiga Power behind-the-scenes tell-all) as a cross between Chicken Boo and Rorschach from Watchmen, though alert readers will of course recall that JN more habitually portrayed himself as Marvin The Martian or Daffy Duck, dastardly nemeses of Bugs Bunny.

The Boo part referenced the fact that he was someone who always seemed to be disguised as a human – to this day I don’t know whether Jonathan Nash was his real name, or if it was the Jon Pillar he originally went by at YS, or something else entirely – but his refusal to back down on his principles on anything, important or trivial, ever, was pure Rorschach.

Which was why, when he died, we hadn’t spoken for well over a decade.

After Future closed down Game Zone* and he was no longer tied to a full-time job in Bath, Jonathan just vanishing, for months or years at a time, adopting total radio silence and then suddenly reappearing out of nowhere was standard behaviour.

(One afternoon in the late 2000s, when I hadn’t seen or heard from him in maybe four years, my doorbell rang and an unfamiliar voice said “Package for Mr Cramble”. I went down and it was Jonathan, with a cheery “Surprise!”. He invited himself in and just stayed in the spare room/office for the next few days.)

But in addition, putting two pig-headed characters like ourselves in close contact invariably led to frequent and massive (though usually short-lived) rows. JN was mild-mannered to a fault in almost every aspect of life, but when defending something he believed in he was utterly immovable, sometimes beyond any semblance of reason. (I claim no innocence in that regard.)

Absurdly, the final straw – when we were working on the iOS gaming site Podgamer – was a fight over title case, the cretinous and wholly arbitrary American grammar atrocity by which one might idiotically render the title of the most famous movie about fictional flesh-consumer Hannibal Lecter as “The Silence of the Lambs” (ie no capital letters on the fourth and fifth words).

(FUN TRIVIA FACT! Podgamer gave a start in the world of videogames journalism to Nathan Grayson, who would go on to be a central figure in the ongoing cultural trainwreck known as “Gamergate”, some of which has also spilled over to the present-day transgender movement. Sorry about that.)

So apocalyptic was the bustup – in fairness, the culmination of a number of stresses built up in the creation of the site, which had ironically finally become rather splendid and the most polished piece of work of our many collaborations – that the entire site imploded and we never spoke again. Ironically I’d been reflecting ruefully on it and pondering dropping a line to AP reader and bestselling author Mil Millington – JN’s last known point of contact with humanity – just a few days before Mil messaged me with the bleak news.

(Mil and he had worked together on many projects for years by this time, and were such close friends that Mil was even privy to the knowledge that Jonathan had a mother, a fact never revealed to anyone else, but Mil and JN never once met in person, which is, dear viewers, the kooky, wacky, zany, nutty, bonkers, cockadoodle world of J Nash in a nutshell. The solitary fact most of us ever knew about Jon’s life before Future was that he had a friend he called Beethoven, and all we learned about him was that he had died, when Jonathan bought a round of whiskies in the pub one night and had us toast his memory. Or maybe he was talking about the actual original Beethoven. You really couldn’t be sure.)

I haven’t talked about Jonathan’s writing yet, because you don’t need me to do that. If you’re reading this article at all, and certainly if you’ve come this far, you already know what a spectacular and unique talent he had. Like everything else about him it brooked no compromise, and you had to buy in at the door, but once you did you’d be taken on a whimsical journey whose twists and turns would defy all prediction.

(I use the word “whimsical” there because he would ABSOLUTELY HATE it. J Nash was not a novelty act. He was deadly serious about his craft, an eccentric in the truest and purest literary sense. His work was dense and lavish and deep like a jungle, demanding your full attention if you wanted to enjoy every ounce of its potential. So FUCK YOU AND YOUR TITLE CASE, NASH.)

He was an integral part of AP’s character, instantly individually identifiable but also a team player never happier than when bouncing ideas around with (for want of an even less accurate term) like-minded colleagues. But nobody actually had a mind like his.

It was a deep and uncommon privilege to have known Jonathan Nash professionally and, somewhat, personally. That we became so estranged, and that it’ll now never be repaired, is a matter of grave sadness, but is also the way of life (and especially his). All things have a time, and while there are branching paths and alternative endings there are no rewinds.

What remains are memories: joyful ones of extended post-pub sessions playing Goldeneye on the N64 or winner-stays-on Powerstone on the Dreamcast with Jonathan Davies and Zy Nicholson of Super Play vie for synaptic space with angry, attritional altercations about some arcane point of preference over the font-size of a caption in a never-published website, or the shape of a customised level in Cruising On Broadway for the Spectrum**, or his wholly-justified fury when we somehow managed to accidentally lose him on the way to the AP Viking Funeral, about which I still wince like Wincey Willis wincing in a wincyette windsock.

No one account could pin down the enigma wrapped inside a puzzle wrapped inside a mystery wrapped inside a Fabergé egg wrapped inside a Scotch egg*** wrapped inside a Victorian newspaper’s sports section wrapped inside a rapping cartoon dog wrapped inside a concept review of Renegade that was JN. You’ll have to piece it together as best you can from the scattershot accounts littering unlikely corners of the internets, and JN’s own rapidly-self-destructing collection of websites, should any have escaped his diligent archive-blocking.

(Or Something and the original AP2 seem to be gone already.)

The above, after all that waiting, is little more than a collection of random recollections ricocheting  around an old man’s skull, flying off in disordered directions and sending splinters of shrapnels into long-forgotten corners of the mind. J Nash shunned attention, only occasionally deigned to be photographed, and even Speccy forums had shamefully little to say about his passing. Even now, he melts away from officially-recorded history like he often did from mortal sight.

But in so far as he’d have liked to be remembered at all, which isn’t very far – and in so far as I have any authority to make such assessments – that’s probably about as appropriate and fitting memorial as there could be. He lives on only in the hearts of a tiny few, all of whom will likely soon meet with bizarre fatal accidents until no witnesses to his existence survive.

After several false alarms, Jonathan Nash is dead. Or IS he? Yes, he is. But anyway.

.

*When Future abruptly shut the magazine down mid-issue, most of the staff decamped, understandably, to the pub. Jonathan stayed behind, gathered all the partially-completed pages together, printed them out and deposited a copy on each person’s desk. You can see it here.

**His wide-ranging coding capabilities, incidentally, were a little-known additional string to his extensively-equipped bow. His madly-complex delvings into the code of Goldeneye, for no visible purpose other than curiosity and messing around, bombarded Zy and I with bewildering emails for weeks.

***The tale of the time we had lunch in a greasy-spoon café in Bath followed by the most epic bout of food poisoning I hope to ever experience in my life is probably best taken to our graves, which it very nearly was right there and then.